Set as Homepage - Add to Favorites

精品东京热,精品动漫无码,精品动漫一区,精品动漫一区二区,精品动漫一区二区三区,精品二三四区,精品福利导航,精品福利導航。

【mom dona sex videos】Enter to watch online.'Sirens' review: A feat of Lebanese cinema

When taking on mom dona sex videosintimate topics like sexuality, trauma, or mental health, the lines between meta function and exploitation are arguably thin. So thin that it’s easy to tread into romanticized renditions of pain with one misstep. Rita Baghdadi’s new documentary, Sirens, constantly seesaws between those lines while introducing us to the world of Slave to Sirens — Lebanon’s first all-female metal band. 

Fresh off its Sundance premiere, Sirensfollows the band’s founders, Shery Bechara and Lilas Mayassi, through a deeply personal slice of life. The film isn’t so much a rock documentary as it is a story of existing in an outcast alt-scene in a city where political catastrophe constantly eclipses any chance of making a life for yourself. And its reception is doubly doused in similar identity politics. 

As a young Lebanese girl that lived those pivotal years the documentary captures, Sirensis a multi-faceted watch, equally filled with melancholic nostalgia and disappointment at its dips into exploitative territory. But as a foreigner, the film promises to intimately introduce you to a youth experience you probably know nothing about. 


You May Also Like

SEE ALSO: 11 films from the Sundance Film Festival you need to know about

First off, Sirens isn’t a rock documentary.

Shery Bechara and Lilas Mayassi in Sirens. Shery Bechara (left) and Lilas Mayassi (right) in "Sirens." Credit: Courtesy of Rita Baghdadi.

Right off the bat, if you’re looking for concert clips and training montages, be warned that Sirensisn’t about that. It’s about a young group of predominantly queer women navigating both a hostile music scene and country. While the documentary does feature tidbits of the band in action — namely through writing sessions and live performance clips— its main purpose is to unravel all the gendered dynamics that plague the girls’ success, both professionally and personally. 

A large chunk of Sirens’ storytelling rests in its exposition of what being a queer woman in Lebanon is like. From hiding girlfriends to going through a step-by-step script of how said girlfriends should act if parents are ever around, Sirenscaptures an all-too-familiar experience of navigating your sexuality in an environment that vehemently denies it — an environment where queerness is still punishable by law. 

On the other hand, Sirensalso takes on Lebanon’s turbulent political climate and pin-drops audiences into scenes from the country’s 2019 revolution— an incredibly necessary, and largely successful, inclusion thanks to personalized portrayals over sensationalized storytelling. Baghdadi smartly takes a colossal political moment and reins it in, focusing on the five women experiencing their city turning inside out — and still trying to make music despite the upheaval.

At its core, Sirenswants you to know just how much extraneous pressure these girls are facing at all ends, and bullseyes its target from start to finish. 

Mashable Top Stories Stay connected with the hottest stories of the day and the latest entertainment news. Sign up for Mashable's Top Stories newsletter By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up!
SEE ALSO: 25 of the best coming-of-age movies since 2000

Things you learn, things you don’t, and a smidge of trauma exploits...

The band in action. Credit: Screenshot "Sirens."

While Sirensis ultimately a greeting, a poignant hello to Lebanon’s youth and what they’ve been through in the past few years, some crucial context within the documentary may be missed. 

The film makes the rash assumption that all its viewers are familiar with Lebanon’s timeline from 2019 to 2020 — a double-edged decision that ultimately fails, as it forced the film’s nuance into hiding. Little details, like news broadcasts playing in the background, added significant weight to several scenes throughout. But there were little to no efforts to contextualize them for an international audience (which has so far made up the majority of Sirens’ viewers). 

One particular detail I think was incredibly important, but that will probably go unnoticed, was the documentary’s decision to include tidbits from a national frenzy that involved the banning of Mashrou’ Leila, arguably the most famous Lebanese music group of the past decade, from performing in the country because of its openly gay members. While the documentary gave just enough detail to get across an overall message on national oppression, it didn’t adequately translate the intense weight Mashrou’ Leila’s banning had on Lebanon’s youth and queer community.

We make sense of things and who we are through movies, and Sirens’ greatest success is bringing that right to your face and forcing you to confront it.

I remember that day so clearly and how hard the blow hit me and all of my friends. It was a direct slap in the face of everything we thought we were finally progressing towards. Plus, the ban was relatively shocking considering the group’s mainstream success in both the region and abroad. Mashrou’ Leila’s banning was a clear embodiment of all the stakes at play: even a widely famous group wasn't invincible to the daggers of homophobia. And choosing to introduce it, but then abruptly cutting its section short, was a missed opportunity to breathe more urgency into the girls’ literal, identical situation, which unfortunately, anecdotes alone can’t do. 

Regrettably, Sirensalso includes a scene from the Beirut blastthat’s largely insensitive; namely, through an editing decision that cut to the blast out of nowhere, played it in excruciatingly slow motion, and then faded out with metal music playing in the background. The entire scene is one giant jump-scare for anyone who has experienced the blast. The documentary’s decision to drown itself in trauma exploitation at that moment was a crude, overshadowing misstep in otherwise well-balanced storytelling. 


Related Stories
  • Peacock's 'We Are Lady Parts' is a joyful revolution
  • 10 best music docs on Prime Video, for when you need to let your hair down
  • 25 of the best coming-of-age movies since 2000
  • 11 films from the Sundance Film Festival you need to know about

Sirens hits home.

Shery Bechara and Lilas Mayassi in Sirens. Credit: Courtesy of Rita Baghdadi.

All that being said, watching a youth I once was a part of, and all the events that drove me out of it, was in many ways a visceral catharsis. Baghdadi welded a looking glass into my own life, and confronted me with intimate memories that I never thought I’d see in a theater in New York, miles and miles away from home. 

Hearing Lilas namedrop a gay club my friends and I used to go to. Seeing bits and pieces of takeout food from restaurants I have a go-to order in. Watching a mother-daughter relationship that reminded me all too much of my own — these were all pieces of home I never thought had a place in movies. 

Admittedly, a large part of why I enjoyed Sirenswas that sheer subjectivity. We often talk about how “representation matters,” but we often forget just how much it rings true until we’ve experienced it ourselves. We make sense of things and who we are through movies, and Sirens’ greatest success is bringing that right to your face and forcing you to confront it. While the film is wholeheartedly Lebanese, the specificity of its subject matter doesn’t eclipse the universality of its heart. 

It’s a film about sisterhood. Loving your best friend. Figuring things out with your mom. Trying to make sense of a changing you. And wrapping yourself up in the hope that it’ll all get better. But above all, Sirensis a profound tribute to movies and all the ways they can take you home, and back again.

Sirensis now playing in select theaters across the country. 

Topics Film Reviews

0.4894s , 14430.890625 kb

Copyright © 2025 Powered by 【mom dona sex videos】Enter to watch online.'Sirens' review: A feat of Lebanese cinema,  

Sitemap

Top 主站蜘蛛池模板: 国产亚洲欧美在在线人成 | 97国产在线一区二区精品 | 久久精品国产亚洲av麻豆王友容 | 国产精品蜜臂在线观看 | 精品在线播放视频 | 国产精品自拍一区在线播放 | 亚洲色婷婷开心综合久久一区 | 精品跪求调教中文字幕无码不卡免 | 嫩b人妻精品一区二区三区 嫩草AV久久伊人妇女 | 日本精品视频一区二区三区 | 久久精品国产亚洲一区二区三区 | 久久久久成亚洲国产av综合精品无码黄一级 | 国产精品福利在线一区二区 | 欧美成人污午夜免费福利在线观看 | 国产午夜精品福利 | 好爽毛片一区二区三区四无码视色 | 成人午夜在线观看国产 | 国产精品美女免费视频观看 | 国产成人精品午夜视频免费 | 精品福利视频导航 | 色综合久久久久久中文网 | 亚洲日韩av乱码一区二区三区 | 无码人妻一区二区三区免费看 | 久久青青无码AV亚洲黑人 | 成人国产精品电影 | 国产欧美日韩高清专区ho | 国产精品自在线国产 | 国产精品99 | 92看片淫黄大片一级 | 91无码人妻aⅴ一区二区三区 | 国产精品一二三无码福利电影 | 国产a级精精彩大片免费看 国产a级精品一级毛片 | 在线伦理片 | 国产福利片无码区在线观看 | 国产a级毛片一级毛片 | 欧美日韩另类精品一区二区三区 | 欧美 国产 综合 欧美 视频 | 国产无遮挡又黄又爽免费网站 | 麻豆果冻国产剧情av在线播放 | 亚洲制服丝袜中文字幕无码 | 少妇人妻偷人精品无码av |